Call for entries: Send us your Outdoor Palette submissions. Contact Adelaide Tyrol at (802) 454-7841 or firstname.lastname@example.org for details.
the outdoor PALETTE
By Adelaide Tyrol
Hydnellum Myriorama, 2014, Acrylic, 48” x 12” each
“Wait, what in the world is that?”
In art, as in nature, the familiar attracts us. We feel a certain
security in being able to recognize and identify things. We can
breathe a sign of relief and say, “Oh, that’s what that is!” The
Boston-based artist Nicole Duennebier plays around with this
proclivity, introducing her wild conjurings under a familiar
The series Hydnellum Myriorama is a six-paneled polyptych.
The title refers to a genus of tooth fungus and to Myriorama, a
Victorian card game that involves the re-arrangement of images.
The paintings lure us in by presenting formal compositions
reminiscent of masterful seventeenth century Dutch still-life
paintings. The focal points of the paintings emerge from a pool
of black, setting off the sumptuous colors of these glistening,
floral-like arrangements. Upon closer inspection, however,
things become familiar in a different way. Yes, there are ribbons,
petals, and berries, but maybe those berries are actually fish roe.
And, there is no doubt, the ribbons look like viscera. Crystals
and mollusks protrude out of the bouquets. And what is that
fluid oozing from these primordial conflations?
Duennebier was born in Connecticut, attended the Greater
Hartford Academy of the Arts, and graduated from the Maine
College of Art in 2005. Fascinated with biology, her thesis work
was influenced by research on the coastal ecosystems of Maine.
She says of her inspiration: “Natural phenomenon – dermoid
cysts, fungus, invasive flora/fauna – and my love of candied,
old-master opulence have a constant presence in my work.
Through painting with attention to detail, I’ve become accus-
tomed to the fact that nature itself, or anything living, really,
never totally allows you to have a perfectly realized experience.
Everything is always spewing, dripping, rotting a little.”
The organism clusters that Duennebier braids together pulse
with life – a life defined by growth and decay. These beautifully
executed amalgamations seem to beg the question: If you could
design a biomorphic bouquet, what would it look like?
Nicole Duennebier may be reached through her website:
nicoleduennebier.com. She is represented by 13Forest Gallery in
Arlington, Massachusetts. In 2016, Duennebier was awarded a
Massachusetts Cultural Council Painting Fellowship. Upcoming
exhibitions include “Temple of Flies” from September 18-October 16,
2017, at The Montserrat College of Art, Beverly, Massachusetts.